The New York Times Film Reviews 1999-2000

The New York Times Film Reviews 1999-2000

Author: New York Times Theater Reviews

Publisher: Taylor & Francis

ISBN: 0415936969

Category: Motion pictures

Page: 724

View: 993

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From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.

The Big Screen Comedies of Mel Brooks

The Big Screen Comedies of Mel Brooks

Author: Robert Alan Crick

Publisher: McFarland

ISBN: 9780786443260

Category: Performing Arts

Page: 270

View: 604

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Mel Brooks is often regarded as one of Hollywood's funniest men, thanks to such highly successful films as The Producers, Blazing Saddles, and Young Frankenstein. His films do have a tendency to turn out much like the jokes that comprise them--hit-or-miss, one minute shoot-the-moon brilliant and the next minute well short of laughs. This work provides a thorough synopsis and thematic analysis for each of his twelve films along with complete cast and production credits: The Producers (1968), The Twelve Chairs (1970), Blazing Saddles (1974), Young Frankenstein (1974), Silent Movie (1976), High Anxiety (1977), History of the World--Part 1 (1981), To Be or Not to Be (1983), Spaceballs (1987), Life Stinks (1991), Robin Hood: Men in Tights (1993), and Dracula: Dead and Loving It (1995).

Jews and Judaism in The New York Times

Jews and Judaism in The New York Times

Author: Christopher Vecsey, Ph.D

Publisher: Lexington Books

ISBN: 9780739184707

Category: Social Science

Page: 440

View: 690

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Jews and Judaism have been profoundly affected by the horrific course of the Holocaust, and by the formation of Israel as a Jewish nation-state. These have been the major themes in the Times' treatment of Judaism, in thousands of articles, from the 1970s to the present.

Brittany Murphy

Brittany Murphy

Author: Peter Shelley

Publisher: McFarland

ISBN: 9781476645490

Category: Biography & Autobiography

Page: 192

View: 861

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Brittany Murphy (1977-2009) was an American film, television, and stage actress, singer, voice artist, and film producer. Beginning her career, 1995's Clueless proved to be her breakthrough film; notable roles followed in Girl, Interrupted (1999), Don't Say a Word (2001), 8 Mile (2002), and Just Married (2003). Despite the lead in Uptown Girls (2003), the production of The Ramen Girl (2008), and a long-running voice role on the animated television series King of the Hill (1997-2010), subsequent leading roles were less successful. Her later acting years were plagued by scandal and bad press, and the once critically acclaimed actress died of pneumonia at the young age of 32, shrouded by mystery. The first to span her life and career, this biography surveys Murphy's films, television appearances, stage shows, music videos, and public appearances in the order in which they were made. Critical reactions to and awards earned for her works are featured as is a selection of portraits, film stills and posters.

It Came From the 1950s!

It Came From the 1950s!

Author: Darryl Jones

Publisher: Springer

ISBN: 9780230337237

Category: Social Science

Page: 262

View: 899

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An eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture is analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.

Hollywood Shot by Shot

Hollywood Shot by Shot

Author: Norman K. Denzin

Publisher: Transaction Publishers

ISBN: 9780202366432

Category: Language Arts & Disciplines

Page: 292

View: 583

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To what extent have Hollywood feature films shaped the meanings that Americans attach to alcoholics, their families, and the alcoholic condition? To what extent has the mass culture of the movie industry itself been conceptually shaped by a broad, external societal discourse? Norman Denzin brings to his life-long study of alcoholism a searching interest in how cultural texts signify and lend themselves to interpretation within a social nexus. Both historical and diachronic in his approach, Denzin identifies five periods in the alcoholism films made between 1932 and the end of the 1980s, and offers a detailed critical reading of thirty-seven films produced during these six decades. "Professor Denzin has produced a searching and provocative interpretation of more than a half-century of Hollywood's social and personal construction of the problem drinker in America. Readable by both lay persons and specialists, Denzin's book provides us with the most comprehensive understanding of this topic to date."--Stanford M. Lyman, Robert J. Morrow Eminent Scholar in Social Science, Florida Atlantic University "An eminent sociologist and leading authority on alcoholism, Denzin also writes skillfully about films as films and is comfortable with postmodern interpretive theoryà a genuinely interdisciplinary work of the first order." --Robert L. Carringer, author, The Making of Citizen Kane "Denzin has gone on an exhaustive bar-crawl through hundreds of movies, returning with evidence that the film about drinking is a genre of its own. He writes from sound knowledge about alcoholism--which, unlike other diseases, is frequently viewed with bittersweet romanticism."--Roger Ebert Norman K. Denzin is professor of sociology, cinema studies, and interpretive theory at the University of Illinois, Urbana-Champaign. He was awarded the George Herbert Mead Award for Lifetime Achievement from the Society for the Study of Symbolic Interaction. He is the author of several books, including Screening Race: Hollywood and a Cinema of Racial Violence, The Recovering Alcoholic, Interpretive Ethnography, Images of Postmodernism: Social Theory and Contemporary Cinema, and Interpretive Interactionism.

Volker Schlondorff's Cinema

Volker Schlondorff's Cinema

Author: Hans Bernhard Moeller

Publisher: SIU Press

ISBN: 0809324512

Category: Performing Arts

Page: 396

View: 618

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Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.

Jack Lord

Jack Lord

Author: Sylvia D. Lynch

Publisher: McFarland

ISBN: 9781476666273

Category: Performing Arts

Page: 230

View: 544

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Before his rise to superstardom portraying Detective Steve McGarrett on the long-running police drama Hawaii Five-O, Jack Lord was already a dedicated and versatile actor on Broadway, in film and on television. His range of roles included a Virginia gentleman planter in Colonial Williamsburg (The Story of a Patriot), CIA agent Felix Leiter in the first James Bond movie (Dr. No) and the title character in the cult classic rodeo TV series Stoney Burke. Lord's career culminated in twelve seasons on Hawaii Five-O, where his creative control of the series left an indelible mark on every aspect of its production. This book, the first to draw on Lord's massive personal archive, gives a behind-the-scenes look into the life and work of a TV legend.