The Mark of Criminality

2017-06-06
 |  Language Arts & Disciplines
The Mark of Criminality

Author: Bryan J. McCann

Publisher: University of Alabama Press

ISBN: 9780817319489

Category: Language Arts & Disciplines

Page: 209

View: 997

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Illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. At the center of this era—when politicians sought to prove their “tough-on-crime” credentials—was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population. At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.

The Mark of Criminality

2019-05-14
 |  Language Arts & Disciplines
The Mark of Criminality

Author: Bryan J. McCann

Publisher: University Alabama Press

ISBN: 0817359486

Category: Language Arts & Disciplines

Page: 0

View: 149

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Illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. At the center of this era—when politicians sought to prove their “tough-on-crime” credentials—was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population. At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.

Stain Removal

2016-11-01
 |  Philosophy
Stain Removal

Author: J. Reid Miller

Publisher: Oxford University Press

ISBN: 9780190648305

Category: Philosophy

Page: 240

View: 345

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Martin Luther King, Jr. famously expressed his dream that his children would "one day not be judged by the color of their skin, but by the content of their character." In his vision, a person's ethical qualities would be understood in spite of his or her body rather than through it. In general, we think that a person's actions should not be judged according to their physical features, such as race. In fact, we see evaluations based on a subject's race or other bodily traits as illegitimate. But Stain Removal argues that our perception of a person's actions always entails judgments of the body. It therefore challenges modern moral theory's premise that a subject's deeds and not its bodily traits count as primary objects of evaluation. Drawing on modern and pre-modern accounts of how ethical knowledge originates, from the Biblical story of Ham, to Socrates, Immanuel Kant, Alain Locke, Frantz Fanon, Langston Hughes, Onora O'Neill, and Louis Althusser, the book suggests that our recognition of both a person and that person's deeds demands an evaluative context. From this it proposes that all perception is "evaluative perception." Through the metaphor of the stain, J. Reid Miller traces the long history of thought suggesting that embodiments like race can and do signify ethical qualities. He argues that these qualities do not "attach" to subjects from the outside-like a stain on innocent and unraced beings-but are instead what allow us to see people as distinct ethical individuals. The objective of ethics, he shows, is not to determine whether race is good or bad but to illustrate how our "unique" personal traits emerge through our multiple relations to others. The consequence is that, contrary to King's vision, it is only through judgments of "skin" and other bodily features that the ethical "content" of subjects can be recognized.

Crime and Criminality

2015-12-22
 |  Social Science
Crime and Criminality

Author: Sandie Taylor

Publisher: Routledge

ISBN: 9781317497578

Category: Social Science

Page: 800

View: 957

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The question of ‘why’ and ‘how’ certain individuals are drawn towards behaving in a way that contravenes the ‘Law of the Land’ is not an easy one to address. Researchers from various different fields have nevertheless attempted to develop theoretical explanations for the existence of different types of crime and why some individuals commit such acts. Crime and Criminality draws on criminology, sociology, psychology and neuroscience to offer a balanced perspective of crime, the criminal and criminality. Coverage includes: a comprehensive discussion of theoretical approaches to criminal behaviour, including biological, social and ‘rational choice’ approaches; an analysis of legal and social definitions of crime and how these definitions influence the way specific behaviours are labelled as criminal; an examination of different types of crime and criminals, from delinquents to ‘psychopaths’ and sex offenders; an exploration of different ways in which crime is predicted, including risk assessment and offender profiling and an overview of investigative techniques. Addressing a broad range of topics and offering a synthesis of competing theoretical explanations of criminality, this book is essential reading for students taking courses in criminology, criminal psychology, criminal behaviour, forensic psychology and psychological criminology.

Popular Music and Automobiles

2020-01-09
 |  Music
Popular Music and Automobiles

Author: Mark Duffett

Publisher: Bloomsbury Publishing USA

ISBN: 9781501352324

Category: Music

Page: 216

View: 431

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Particularly since the 1950s, cars and popular music have been constantly associated. As complementary goods and intertwined technologies, their relationship has become part of a widely shared experience-one that connects individuals and society, private worlds and public spheres. Popular Music and Automobiles aims to unpack that relationship in more detail. It explores the ways in which cars and car journeys have shaped society, as well as how we have shaped them. Including both broad synergies and specific case studies, Popular Music and Automobiles explores how attention to an ongoing relationship can reveal insights about the assertion and negotiation of identity. Using methods of enquiry that are as diverse as the topics they tackle, its contributors closely consider specific genders, genres, places and texts.

Crime Prevention

2005-10-05
 |  Social Science
Crime Prevention

Author: Daniel Gilling

Publisher: Routledge

ISBN: 9781135364519

Category: Social Science

Page: 240

View: 799

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First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Crime and Criminality

2020
 |  Crime
Crime and Criminality

Author: Ehor Boyanowsky

Publisher: University of Toronto Press

ISBN: 9781487523893

Category: Crime

Page: 331

View: 327

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Unprecedented in the way it draws on many different theories to explain crime and violent phenomena, this highly readable book is sure to fascinate readers.

Gender and Criminality in Bangla Crime Narratives

2017-05-22
 |  Social Science
Gender and Criminality in Bangla Crime Narratives

Author: Shampa Roy

Publisher: Springer

ISBN: 9781137515988

Category: Social Science

Page: 247

View: 778

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This book examines diverse literary writings in Bangla related to crime in late nineteenth and early twentieth century colonial Bengal, with a timely focus on gender. It analyses crime-centred fiction and non-fiction in the region to see how actual or imagined crimes related to women were shaped and fashioned into images and narratives for contemporary genteel readers. The writings have been examined within a social-historical context where gender was a fiercely contested terrain for publicly fought debates on law, sexual relations, reform, and identity as moulded by culture, class, and caste. Both canonized literary writings (like those of Bankim Chatterji) as well as non-canonical, popular writings (of writers who have not received sufficient critical attention) are scrutinised in order to examine how criminal offences featuring women (as both victims and offenders) have been narrated in early manifestations of the genre of crime writing in Bangla. An empowered and thought-provoking study, this book will be of special interest to scholars of criminology and social justice, literature, and gender.

Émile Durkheim and the Collective Consciousness of Society

2014-08-01
 |  Social Science
Émile Durkheim and the Collective Consciousness of Society

Author: Kenneth Smith

Publisher: Anthem Press

ISBN: 9781783082384

Category: Social Science

Page: 276

View: 862

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This volume sets out to explore the use of Émile Durkheim’s concept of the ‘collective consciousness of society’, and represents the first ever book-length treatment of this underexplored topic. Operating from both a criminological and sociological perspective, Kenneth Smith argues that Durkheim’s original concept must be sensitively revised and suitably updated for its real relevance to come to the fore. Major adjustments to Durkheim’s concept of the collective consciousness include Smith’s compelling arguments that the model does not apply to everyone equally, and that Durkheim’s concept does not in any way rely on what might be called the disciplinary functions of society.

After Prison

2017-12-13
 |  Social Science
After Prison

Author: Rose Ricciardelli

Publisher: Wilfrid Laurier Univ. Press

ISBN: 9781771123181

Category: Social Science

Page: 320

View: 540

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Employment for former prisoners is a critical pathway toward reintegration into society and is central to the processes of desistance from crime. Nevertheless, the economic climate in Western countries has aggravated the ability of former prisoners and people with criminal records to find gainful employment. After Prison opens with a former prisoner’s story of reintegration employment experiences. Next, relying on a combination of research interviews, quantitative data, and literature, contributors present an international comparative review of Canada’s evolving criminal record legislation; the promotive features of employment; the complex constraints and stigma former prisoners encounter as they seek employment; and the individual and societal benefits of assisting former prisoners attain “gainful” employment. A main theme throughout is the interrelationship between employment and other central conditions necessary for safety and sustenance. This book offers suggestions for criminal record policy amendments and new reintegration practices that would assist individuals in the search for employment. Using the evidence and research findings of practitioners and scholars in social work, criminology and law, psychology, and other related fields, the contributors concentrate on strategies that will reduce the stigma of having been in prison; foster supportive relationships between social and legal agencies and prisons and parole systems; and encourage individually tailored resources and training following release of individuals.

New Perspectives on Detective Fiction

2015-10-14
 |  Literary Criticism
New Perspectives on Detective Fiction

Author: Casey Cothran

Publisher: Routledge

ISBN: 9781317435242

Category: Literary Criticism

Page: 264

View: 747

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This collection establishes new perspectives on the idea of mystery, as it is enacted and encoded in the genre of detective fiction. Essays reclaim detective fiction as an object of critical inquiry, examining the ways it shapes issues of social destabilization, moral ambiguity, reader complicity, intertextuality, and metafiction. Breaking new ground by moving beyond the critical preoccupation with classification of historical types and generic determinants, contributors examine the effect of mystery on literary forms and on readers, who experience the provocative, complex process of coming to grips with the unknown and the unknowable. This volume opens up discussion on publically acclaimed, modern works of mystery and on classic pieces, addressing a variety of forms including novels, plays, graphic novels, television series, films, and ipad games. Re-examining the interpretive potential of a genre that seems easily defined yet has endless permutations, the book closely analyzes the cultural function of mystery, the way it intervenes in social and political problems, as well as the literary properties that give the genre its particular shape. The volume treats various texts as meaningful subjects for critical analysis and sheds new light on the interpretive potential for a genre that creates as much ambiguity as it does clarity. Scholars of mystery and detective fiction, crime fiction, genre studies, and cultural studies will find this volume invaluable.