Artists in the Archive

2018-06-13
 |  Performing Arts
Artists in the Archive

Author: Paul Clarke

Publisher: Routledge

ISBN: 9781317398769

Category: Performing Arts

Page: 336

View: 307

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Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating.

Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989)

2013
 |  Art
Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989)

Author: Kyunghee Pyun

Publisher: Lulu.com

ISBN: 9780989037808

Category: Art

Page: 109

View: 469

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"Many talented young Korean-American artists lived and worked in the 1980s. This exhibition catalogue presents a group of the first generations who set up their studios in the greater New York area in the 1960s to the 1980s. The exhibition catalogue of Coloring Time include [sic] scholarly essays along with documents, photographs, drawings and sketches of Korean America [sic] as well as their early works classified into three to five themes in order to show a creative journey of Korean contemporary art transplanted in the US."--Page 4 of cover.

Performing the Archive

2009
 |  Archives in art
Performing the Archive

Author: Simone Osthoff

Publisher:

ISBN: PSU:000066227144

Category: Archives in art

Page: 203

View: 821

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Instead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilém Flusser's techno-imagination, Lygia Clark's and Hélio Oiticica's participatory aesthetics, and Paulo Bruscky's and Eduardo Kac's literal performances of the archive. They contribute to the erosion of the archive's former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages.

Cinema and Art as Archive

2015-03-11T00:00:00+01:00
 |  Performing Arts
Cinema and Art as Archive

Author: Aa. Vv.

Publisher: Mimesis

ISBN: 9788857529981

Category: Performing Arts

Page: 256

View: 512

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As Jacques Derrida wrote in 1995, while considering Archive Fever, nothing is less reliable or less clear today than the word “archive”. Nevertheless, the historic-cultural dimension of the contemporary discursive practices in cinema and art develops in the semantic openendedness of the term, in the repositioning of the idea of archive.The individual disciplines involved in one such field – history of cinema and art, theory of cinema and art, aesthetics, semiotics, philology, etc. – begin to open up to questioning the notion of archive even ‘in negative’: in other words what – after Michel Foucault – the “archive” is not, or does not seem to be. The “archive” is not the ‘library of libraries’ or ‘encyclopedia’, it is not ‘memory’, it is not museum, it is not a ‘database’.In recent years, the attention focused on such ideas has not so much highlighted the ‘impulses’, ‘turns’ and specific forms of art (“art archive”) as it has revealed in many ways how the “archive” concerns us in the interrelation of aesthetic, political, ethical and legal levels among various disciplinary fields.

Eye on Europe

2006
 |  Art
Eye on Europe

Author: Deborah Wye

Publisher: The Museum of Modern Art

ISBN: 0870703714

Category: Art

Page: 338

View: 746

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An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.

Dissonant Archives

2015-07-16
 |  Political Science
Dissonant Archives

Author: Anthony Downey

Publisher: Bloomsbury Publishing

ISBN: 9780857739735

Category: Political Science

Page: 472

View: 594

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The 'archive' is often viewed as a collection of historical documents that records and orders information about people, places and events. This view nevertheless obscures a crucial point: the archive, whilst subject to the vagaries of time and history, can also determine the future. This point has gained urgency in modern-day North Africa and the Middle East where the archive has come to the fore as a site of social, historical, theoretical, and political contestation. Dissonant Archives is the first book to consider the ways in which contemporary artists from the Middle East and North Africa - including Emily Jacir, Walid Raad, Jananne Al Ani, Basel Abbas and Ruanne Abou-Rahme, Mariam Ghani, Zineb Sedira, and Akram Zaatari - are utilizing and disrupting the function of the archive and, in so doing, highlighting a systemic, perhaps irrevocable, crisis in institutional and state-ordained archiving across the region. In exploring and producing archives, be they alternative, interrogative or fictional, these artists are not simply questioning the authenticity, authority or authorship of the archive; rather, they are unlocking its regenerative, radical potential.The result provides essential insights into the nexus between art and politics in the contemporary Middle East.

Artists

2022-07-07
 |  Juvenile Nonfiction
Artists

Author: DK

Publisher: Dorling Kindersley Ltd

ISBN: 9780241602836

Category: Juvenile Nonfiction

Page: 146

View: 311

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Meet the cool creatives behind awe-inspiring art, with this non-fiction ebook for kids. Pour paint onto a canvas with Jackson Pollock, laugh along with the pranks of Hokusai, and find beauty in your self-portrait with Frida Kahlo, as you follow the stories of more than 50 fabulous artists and their groundbreaking work. Through charming storytelling rich in detail, Artists covers celebrated figures as well as lesser-known trailblazers, each with a tale as intriguing as it is unique. From cat connoisseur Louis Wain and pattern fanatic Yayoi Kusama, to eye-obsessed Margaret Keane, who won a court paint-off to prove her husband had passed off her work as his own - the artists in this book have all used their creativity and complexity to make powerful art that has enriched and inspired the lives of many. These groundbreaking pieces range from those whose beauty keeps you coming back for more, to some that might change your worldview. Beautiful descriptions of the artists' lives are brought to life through stunning watercolour illustrations by Jessamy Hawke and fantastic photography highlights the detail of their work.

Arctic Archives

2019-10-31
 |  Social Science
Arctic Archives

Author: Susi K. Frank

Publisher: transcript Verlag

ISBN: 9783839446560

Category: Social Science

Page: 318

View: 680

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This pioneering volume explores the Arctic as an important and highly endangered archive of knowledge about natural as well as human history of the anthropocene. Focusing on the Arctic as an archive means to investigate it not only as a place of human history and memory - of Arctic exploring, 'conquering' and colonizing -, but to take into account also the specific environmental conditions of the circumpolar region: ice and permafrost. These have allowed a huge natural archive to emerge, offering rich sources for natural scientists and historians alike. Examining the debate on the notion of ('natural') archive, the cultural semantics and historicity of the meaning of concepts like 'warm', 'cold', 'freezing' and 'melting' as well as various works of literature, art and science on Arctic topics, this volume brings together literary scholars, historians of knowledge and philosophy, art historians, media theorists and archivologists.

The Routledge Companion to Art and Activism in the Twenty-First Century

2022-12-30
 |  Art
The Routledge Companion to Art and Activism in the Twenty-First Century

Author: Lesley Shipley

Publisher: Taylor & Francis

ISBN: 9781000802375

Category: Art

Page: 496

View: 871

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The Routledge Companion to Art and Activism in the Twenty-First Century brings together a wide range of geographical, cultural, historical, and conceptual perspectives in a single volume of new essays that facilitate a deeper understanding of the field of art activism as it stands today and as it looks towards the future. The book is a resource for multiple fields, including art activism, socially engaged art, and contemporary art, that represent the depth and breadth of contemporary activist art worldwide. Contributors highlight predominant lines of inquiry, uncover challenges faced by scholars and practitioners of activist art, and facilitate dialogue that might lead to new directions for research and practice. The editors hope that the volume will incite further conversation and collaboration among the various participants, practitioners, and researchers concerned with the relationship between art and activism. The audience includes scholars and professors of modern and contemporary art, students in both graduate and upper-level undergraduate programs, as well as artists, curators, and museum professionals. Each chapter can stand on its own, making the companion a flexible resource for students and educators working in art history, museum studies, community practice/socially engaged art, political science, sociology, and ethnic and cultural studies.

Archive Fever

2008
 |  Photography
Archive Fever

Author: Okwui Enwezor

Publisher: Steidl / Edition7L

ISBN: UOM:39015073968268

Category: Photography

Page: 270

View: 316

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Organized and written by renowned scholar and ICP Adjunct Curator Okwui Enwezor, Archive Fever presents works by leading contemporary artists who use archival documents to rethink the meaning of identity, history, memory, and loss. Over the past thirty years, successive generations have taken wide-ranging approaches to the photographic and filmic archive. The works presented here take many forms, including physical archives arranged by peculiar cataloguing methods, imagined biographies of fictitious persons, collections of found and anonymous photographs, film versions of photographic albums, and photomontages composed of historical photographs. These images have a wide-ranging subject matter yet are linked by the artists shared meditation on photography and film as the quintessential media of the archive. Artists in the exhibition include Tacita Dean, Stan Douglas, Felix Gonzalez-Torres, Zoe Leonard, Ilán Lieberman, Walid Raad, Thomas Ruff, Anri Sala, Fazal Sheikh, Eyal Sivan, Lorna Simpson, and Vivan Sundaram, among others.

Age of discrepancies

2006
 |  Art
Age of discrepancies

Author: Olivier Debroise

Publisher: UNAM

ISBN: 9703238297

Category: Art

Page: 482

View: 437

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"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.

Encounters in Video Art in Latin America

2023-02-14
 |  Art
Encounters in Video Art in Latin America

Author: Elena Shtromberg

Publisher: Getty Publications

ISBN: 9781606067918

Category: Art

Page: 290

View: 585

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With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.