Handbook of Cultural and Creative Industries in China

2016-05-27
 |  History
Handbook of Cultural and Creative Industries in China

Author: Michael Keane

Publisher: Edward Elgar Publishing

ISBN: 9781782549864

Category: History

Page: 576

View: 702

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China is at the crux of reforming, professionalising, and internationalising its cultural and creative industries. These industries are at the forefront of China's move towards the status of a developed country. In this comprehensive Handbook, international experts including leading Mainland scholars examine the background to China's cultural and creative industries as well as the challenges ahead. The chapters represent the cutting-edge of scholarship, setting out the future directions of culture, creativity and innovation in China. Combining interdisciplinary approaches with contemporary social and economic theory, the contributors examine developments in art, cultural tourism, urbanism, digital media, e-commerce, fashion and architectural design, publishing, film, television, animation, documentary, music and festivals.

China's Creative Industries

2010-01-01
 |  Technology & Engineering
China's Creative Industries

Author: Lucy Montgomery

Publisher: Edward Elgar Publishing

ISBN: 9781849804707

Category: Technology & Engineering

Page: 168

View: 680

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China's Creative Industries explores the role of new technologies, globalization and higher levels of connectivity in re-defining relationships between producers and consumers in 21st century China. The evolution of new business models, the impact of state regulation, the rise of entrepreneurial consumers and the role of intellectual property rights are traced through China's film, music and fashion industries. The book argues that social network markets, consumer entrepreneurship and business model evolution are driving forces in the production and commercialization of cultural commodities. In doing so it raises important questions about copyright's role in the business of culture, particularly in a digital age. This insightful book will appeal to post-graduate students and academic researchers in China and Asian studies, intellectual property, cultural studies, film, music and fashion studies, cultural economics and innovation management. People working in the creative industries with an interest in devising strategies for expansion into the Chinese market, as well as people working in the creative industries outside China with an interest in developing successful digital strategies, will also find much to interest them in this book.

Creative Industries in China

2013-05-06
 |  Social Science
Creative Industries in China

Author: Michael Keane

Publisher: John Wiley & Sons

ISBN: 9780745669601

Category: Social Science

Page: 192

View: 732

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Creative industries in China provides a fresh account of China’s emerging commercial cultural sector. The author shows how developments in Chinese art, design and media industries are reflected in policy, in market activity, and grassroots participation. Never has the attraction of being a media producer, an artist, or a designer in China been so enticing. National and regional governments offer financial incentives; consumption of cultural goods and services have increased; creative workers from Europe, North America and Asia are moving to Chinese cities; culture is increasingly positioned as a pillar industry. But what does this mean for our understanding of Chinese society? Can culture be industrialised following the low-cost model of China’s manufacturing economy. Is the national government really committed to social liberalisation? This engaging book is a valuable resource for students and scholars interested in social change in China. It draws on leading Chinese scholarship together with insights from global media studies, economic geography and cultural studies.

The Economic Logic of Chinese Cultural-Creative Industries Parks

2020-05-21
 |  Political Science
The Economic Logic of Chinese Cultural-Creative Industries Parks

Author: Vivian Yuan Yuan

Publisher: Springer Nature

ISBN: 9789811535406

Category: Political Science

Page: 296

View: 795

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This book is a novel and inspiring research work on creative industry clusters in China. Seldom has literature on CCIPs dealt with the detailed economic logic and operational methods of a CCIP. The author not only does a detailed comparison of two business models of Cultural-Creative Industries Parks (CCIPs) using classic qualitative methodology through two case studies, Shenzhen OCT-LOFT as a “Culture Highland” model and Guangzhou 289 Art Park as a “Modular System” model, but also proposes a practical 4C model as the business framework for CCIPs. This book will be of interest to urbanists, scholars of the culture economy, creative industries and China scholars.

How Creativity is Changing China

2011-09-30
 |  Business & Economics
How Creativity is Changing China

Author: Li Wuwei

Publisher: A&C Black

ISBN: 9781849666572

Category: Business & Economics

Page: 160

View: 242

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The question Professor Li Wuwei investigates is not 'whether' creativity is changing China - but 'how' creativity is changing China. The outcome will have a profound impact on how China develops and its economic role in the world. Creative industries maintain and protect historical and cultural heritage, improve cultural capital, and foster communities as well as individual creativity. This leads to the improvement of cultural assets of cities, the establishment of city brands and identity, the promotion of the creative economy, and overall economic and social development. In this context, creativity is changing China forever.

A Research Agenda for Creative Industries

2019
 | 
A Research Agenda for Creative Industries

Author: Stuart Cunningham

Publisher: Edward Elgar Publishing

ISBN: 9781788118583

Category:

Page: 200

View: 710

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Interdisciplinary, internationally focused, policy-informed, and strategic, this book sets out agendas for advancing research into creative industries as a productive and innovative intervention in public policy. With contributions from leading scholars, policy and industry specialists, this Research Agenda will be a vital resource for students and academics working in the fields of communication, culture, film and media, geography, business and policy studies, and Internet and social media studies.

Creative Industry Districts

2013-11-19
 |  Science
Creative Industry Districts

Author: Jinliao He

Publisher: Springer Science & Business Media

ISBN: 9783319019765

Category: Science

Page: 197

View: 626

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Since the late 1990s, there have been broad discussions concerning the rapid rise of the creative economy. Creative or cultural industry is seen as the new engine of the regional growth for both developed economies and emerging nations. At the point of transition in economy and society, China is recently striving to transform its economy from “made in China” towards “created in China”. This book provides an insight into creative industries and spaces in Shanghai, which is the fastest growing megacity in China and the center of modern economic development on a global scale. Underpinned by new approaches from economic geography and urban studies, it deals with the new relations between the creative economy and urban environment in Shanghai. Over the last decade, creative clusters have been rapidly emerging in particular locations in the central city of Shanghai. This spatial phenomenon is explained in the book through an analysis of dynamics, networks and implications.

China Cultural and Creative Industries Reports 2013

2013-10-08
 |  Social Science
China Cultural and Creative Industries Reports 2013

Author: Hardy Yong Xiang

Publisher: Springer Science & Business Media

ISBN: 9783642381577

Category: Social Science

Page: 160

View: 549

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This collection provides access to up to date, very high quality research and critical perspectives on China’s CCIs on an industry by industry basis. Industries dealt with by this collection include: advertising, architecture, art and antiques, computer games, crafts, design, designer fashion, film and video, music, performing arts, publishing, software, TV and radio, digital media. The collection combines recently translated work by acknowledged experts on individual sectors of the creative industries from within China with more critical work by internationally-based experts on China’s CCIs and their implications beyond China. The collection draws on the expertise of research academics and of industry based practitioners. China’s Creative and Cultural Industries Reports is a Lens on China providing fresh, new material and perspectives on a key area of cultural and economic development in one of the world’s fastest growing economies. Publication in the form of a collection, which could be sold in multiple of traditional and digital formats, either as a volume or as individual reports, makes it possible for readers to select the format most relevant to their interests. ​

Innovative and Creative Industries in Hong Kong

2018-10-29
 |  Social Science
Innovative and Creative Industries in Hong Kong

Author: Grace L K Leung

Publisher: Routledge

ISBN: 9781351655019

Category: Social Science

Page: 226

View: 149

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The experience of Hong Kong’s innovative and creative industries and the challenges they face serves as an important case study for other Chinese and Asian cities that are actively developing their innovative and creative industries in the era of globalization. The return of sovereignty over Hong Kong back to China in 1997 has led to both collaboration and competition between the two places in innovative and creative sectors for the Greater China and Asian Regions. Hong Kong has remained unique in spite of the integration, but she has to strike a delicate balance between being simultaneously a Chinese and an international city. This book looks at different innovative and creative industries, such as international art and culture exhibition, innovative technology, digital entertainment, TV and movies, as well as government policy for innovative and creative industries, particularly the changing competitive landscape brought about by the latest Great Bay Area development. Drawing insights from cultural history, innovation economics, cultural policy studies, and cultural geography, this book explores the opportunities and challenges of Hong Kong's innovative and creative industries, in particular after the change of sovereignty in 1997. It demonstrates that the city’s legacy, and heavy government input in capital, do not guarantee their sustainable development. This is a book not only for policymakers or academics interested in innovative and creative industries but also to students contemplating a career in these areas in Hong Kong, the Greater China and the Asian Region.

Creative Industries and Developing Countries

2012-11-12
 |  Business & Economics
Creative Industries and Developing Countries

Author: Barrowclough

Publisher: Routledge

ISBN: 9781136793172

Category: Business & Economics

Page: 352

View: 887

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Pushing the frontiers of the new development paradigm, this book guides debates, clarifies new themes and illustrates how the cultural resources of the developing world can become a new way of integrating into the global economy - helping to raise the voices of developing countries, widening the range of creative choices and promoting cultural diversity and economic and human development. Mixing theory, country case-studies and policy analysis this volume argues that developing countries can use their creative assets and energies as a source of economic growth - if they can better position themselves in the global economy, turning on its head the polarized debate about commerce and culture to take a fresh look at some traditional activities whose intrinsic cultural value has for too long hidden their economic worth. It includes essays from economists, lawyers and industry experts on global trade trends; digital-technology; film in West Africa; audio visuals in India; the music industry in Brazil and the Caribbean; the copyright industry in Arab countries, and policy lessons from developed countries - including sources of finance, subsidies and the role of incubators and intermediaries. Fresh and incisive, this policy lead book on one of the world’s fastest growing sectors is an invaluable resource for to economists and policy-makers alike, as well as those with an interest in industrial organization, development policy, evolutionary economics and the creative industries.

Routledge Handbook of Cultural and Creative Industries in Asia

2018-12-07
 |  Social Science
Routledge Handbook of Cultural and Creative Industries in Asia

Author: Lorraine Lim

Publisher: Routledge

ISBN: 9781317337270

Category: Social Science

Page: 388

View: 948

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Recent years have witnessed the remarkable development of the cultural and creative industries (CCIs) in Asia, from the global popularity of the Japanese games and anime industries, to Korea’s film and pop music successes. While CCIs in these Asian cultural powerhouses aspire to become key players in the global cultural economy, Southeast Asian countries such as Malaysia and Thailand are eager to make a strong mark in the region’s cultural landscape. As the first handbook on CCIs in Asia, this book provides readers with a contextualized understanding of the conditions and operation of Asian CCIs. Both internationalising and de-Westernising our knowledge of CCIs, it offers a comprehensive contribution to the field from academics, practitioners and activists alike. Covering 12 different societies in Asia from Japan and China to Thailand, Indonesia and India, the themes include: State policy in shaping CCIs Cultural production inside and outside of institutional frameworks Circulation of CCIs products and consumer culture Cultural activism and independent culture Cultural heritage as an industry. Presenting a detailed set of case studies, this book will be an essential companion for researchers and students in the field of cultural policy, cultural and creative industries, media and cultural studies, and Asian studies in general.

Created in China

2007-10-30
 |  Business & Economics
Created in China

Author: Michael Keane

Publisher: Routledge

ISBN: 9781134117840

Category: Business & Economics

Page: 208

View: 533

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This book examines China’s creative economy—and how television, animation, advertising, design, publishing and digital games are reshaping traditional understanding of culture. Since the 1950s China has endeavoured to catch-up with advanced Western economies. ‘Made in China’ is one approach to global competitiveness. But a focus on manufacturing and productivity is impeding innovation. China imports creativity and worries about its ‘cultural exports deficit’. In the cultural sector Chinese audiences are attracted to Korean, Taiwanese, and Japanese culture, as well as Hollywood cinema. This book provides a fresh look looks at China’s move up the global value chain. It argues that while government and (most) citizens would prefer to associate with the nationalistic, but unrealized ‘created in China’ brand, widespread structural reforms are necessary to release creative potential. Innovation policy in China has recently acknowledged these problems. It considers how new ways of managing cultural assets can renovate largely non-competitive Chinese cultural industries. Together with a history of cultural commerce in China, the book details developments in new creative industries and provides the international context for creative cluster policy in Beijing and Shanghai.